Yilokho okwashiya ngonyaka ophumayo ngo-2013, 2014, unyaka we-Blue Horse, uthatha nazo izinkathi ezine zezinkathi, kuhlanganise nehlobo elulinde isikhathi eside nolushushu nehlobo. Naphezu kokuthi isimo asikwazi isimo sezulu esibi kanye naso sonke isikhathi sihamba ngendlela yaso, kodwa intwasahlobo ayikude futhi, ukuthatha indawo yesibili ngokulandelana kwonyaka, intwasahlobo iqhubeka isithende intombi yakhe ebandayo. Lapho efika, izigidi zabesifazane bezemfashini zivula izingubo zabo zokugqoka ukuze zilungiswe ikhabethe futhi zibe nokuhamba kwemikhuba ejwayelekayo yonyaka ka-2014. Ngakho-ke, kuzokwenzekani esimweni sonyaka ozayo 2014, yiziphi izitayela zemifashini entwasahlobo?
Fashion izitayela izingubo, spring-ehlobo 2014
Imininingwane eyinhloko emikhandweni yemifashini yesithombe senhlobo-ehlobo ka-2014 iyoba yowesifazane. Izembatho ngesitayela se-unisex zizolahlekelwa ukubaluleka kwayo, zinikeze izithombe ezithobile. Izitayela zefashini Spring-Summer 2014 zigxile emibhalweni ekhanyayo. Umbala obala ohlaza okwesibhakabhaka, owawuthandwa kakhulu ngonyaka odlule, uhlanjululwa ngamanzi aluhlaza, kanye namanye ama-blue shades. I-Orange, i-purple, i-violet, i-shades ne-green shades yesithambile, uhlamvu oluzolile luzobe lusemfashini. Ngendlela yokugqoka, i-retro-summer retro chic, ngoba abakwa-designers bayamenywa ukuba bafake imfashini yama-60 no-70, bathathwe njengesisekelo ngo-2014. Izicathulo, izicathulo ze-lace-up, iziketi ze-vinyl ezincane zizoba yisigqoko se-wardrobe. I-80 iyabonakala nasezindleleni zonyaka ka-spring, ehlobo, njengama-jackets ahamba ngamabhayisikili, izintambo ezingenasiminyaminyane zifinyelele phansi phansi kwezingqimba. Ngokuqondene nendwangu, abathandekayo yi-denim eminingi bayokwenza ukuzwa kwangempela kule nkathi, okuyiyona ndlela, eboleka ngabaqambi kusukela kungakapheli ama-90.
Imikhuba yefashini Spring-Summer 2014 isinikeza ubuncane bokunciphisa. Ngaphandle kwezesekeli ezicwebezelayo, ukusika okweqile kanye ne-avant-garde ngokweqile. Ngendlela yokusika eqondile nokusetshenziswa kwemibala ehlanzekile esithombeni. Ngokuhamba ne-minimalism, isitayela sezinyathelo ezicindezelekile. Umqondo walesi sitayela ungachazwa ngomoya we "konke okungcono kakhulu engikugqoke khona ngokushesha," okusho ukuthi isithombe siningi kakhulu. I-Gianni Versace igxile kulokhu isitayela, ukuyibeka phakathi kwemikhuba yemifashini ye-spring-ehlobo 2014. Lesi sitayela sihambisana ngokweqile: inqwaba yezingxenye, inhlanganisela yezindwangu ezihlukahlukene kanye ne-shades ehlukahlukene.
Izitayela zefashini entwasahlobo-ehlobo azizange zidlule futhi ziphrintiwe. Ngokwefashini, ukunyatheliswa okukhulu okukhulu, izithombe zezilwane nezimbali ezigqoke izingubo, kanye nezindwangu ziyamangalisa kakhulu. Iphrinta ubuciko, izakhi zemifanekiso, imivimbo kanye ne-ethno motifs. Futhi, i-podium yezwe isinikeza izingubo ezibonakalayo nezingavamile - ubulili obuhle buphinde buyeke. Igridi, i-lace, i-brocade izoletha imfihlakalo. Izokwenza ukuzwa kwangempela nesithombe esimhlophe-ikakhulukazi i- suti ye-trouser , eyangena esimweni sehlobo lehlobo-ehlobo ngo-2014. Isitayela sezemidlalo sisefesheni, kodwa ngisho nalokhu umuntu angakwazi ukulandelana nokuzivimbela.
Fashion izitayela izicathulo spring ehlobo 2014
Izicathulo ezenziwe ngemfashini spring-ehlobo 2014 zizojabulisa ngisho nomcabango ocacile kakhulu, amaqoqo ama-designers agcwele ukungena kwawo. Kodwa ngale ndlela, i-classic nayo ayikho ngaphansi kwezikhundla zakhe. I-Futurism, i-avant-garde ne-classical - ukhetho lukhulu kangangokuthi wonke umuntu angakhetha izicathulo eziyithandayo kule nkathi. Ngendlela efana ne-hairpin ye-classic, nesithende esingavamile. Ukungafani okujwayelekile, ukuphakama, ukuguqa izithende, amapulatifomu, ama-wedges - konke kungenzeka lapha! Indwangu yokuhlobisa, ikhalenda kanye neyodwa yokhuni, phrinta ngaphansi kwenyoka, ama-spikes namaketanga, inhlanganisela engavamile - konke lokhu kuyiqiniso namuhla!
Imikhuba yonyaka kahlobo kahlobo kahlobo ka-2014 iyahlukahluka kangangokuthi ngosizo lwabo ungakwazi ukudala kalula isithombe esinesibindi nesivinjelwe.
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